I worked with Izzy for almost six months to do a back piece of a phoenix, as if it were coming out of my back. I was very specific with how I wanted it to look, the feathers, the colors. Initially, I ... Read More
I worked with Izzy for almost six months to do a back piece of a phoenix, as if it were coming out of my back. I was very specific with how I wanted it to look, the feathers, the colors. Initially, I wanted the bottom of the bird to still be ashy and dark, becoming more vibrant and red and orange at the the top, which he talked me out of because he said it would "look unfinished". The first time I showed up for the phoenix, his drawing was not only massive, taking up almost every square inch of my back, but also not at all what I wanted- the bird was on its side, not rising out of my back. I asked what would happen if I didn't get a tattoo that day. I'd lose my deposit. Six hundred bucks! So, I figured, I'm here, let's do something. I said I love orchids, and requested red orchids on my left forearm. Well, that's not what I got, although what Izzy tattooed is beautiful, and people LOVE it. But, that's not the point. I returned for another consult, two days before the second scheduling of the phoenix. Again, going over the appearance, size, etc.. I showed up for my appointment and had to wait for TWO HOURS because Izzy had still not drawn anything up. After he drew it up, we went over all of the elements that would be added/subtracted. I asked him if he'd like the reference photo of the feathers open on my phone, and he assured me with a "I know what I'm doing."The problem though, is that I didn't know what he was doing. After 6 hours of probably the most pain a tattoo has ever given me, he tattooed an owl. AN OWL!! I was shocked, and numb, and wondering what just happened. I made the mistake of not making a scene right then. I paid. I went home. I thought about the fact that it's permanent, and what's done is done. And maybe there was a way to fix it. I went to get re-bandaged two days later, and talked directly to Izzy about why I didn't get what I asked for, to which he informed me then that my idea "wasn't up to shop standards." The business manager Matt Fontana set up a meeting with Izzy and Russ Abbott to come up with a cover-up. Russ worked on some things. I gave input. They said I'd have a drawing in 3 days. It took two weeks, and was barely different than what Russ sketched out that day, which I had already mentioned was getting too dark and ominous, and it was in no way tattoo quality.I emailed my displeasure, suggesting another resolution, and then I thought "why am I still trying to work with these people?" I requested a refund. I was denied. I went through my bank for a partial refund, and was denied. Matt Fontana suggested that I saw the stencil, and should have known it was what I was going to end up with, as if to say "You never should have listened to a word Izzy told you. He's a tracer." The shop, and Izzy, knew how much the tattoo meant to me, and how long I waited to complete it (it was a cover-up itself). Ten years I waited to find an artist who I thought would do an amazing job. For me. Izzy let me down, and the shop doesn't see a problem with it. I don't think Russ even reviewed the "sketch" before it went out to me. Bottom-line: Tattoos should not be at the sole discretion of the artist. I feel like that should go without saying. Read Less